![]() About the Authors | |||
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My graduate training, at Cornell under the direction of Dr. Joseph Novak, was based in science education. I am always on the lookout for fresh theoretical territory, and so I started trying to connect Dr. Novak's ideas about learning theory to the area of dance.
I have studied with several teachers in California, including Rebecca Weinfeld, Rebecca McMurdie, Lynne Caryl, Robin Horn, Magda Mendez, and Katie Lake. Steve Hughes has provided assistance as a coach and a choreographer. I currently study with Michelle Officer.
In fourth grade, my mother made me attend weekly ballet classes to get rid of my hunchback. Although I protested at first, I grew to love ballet and eventually, I took daily classes in Westchester from dancers who performed with the New York City Ballet as well as in Manhattan from Yehuda Maor. Yehuda Maor agreed to train me to be ready to audition for the Royal Ballet School (in England), which became my ultimate goal.
I worked very hard to achieve this goal, including participating in a work-study program to help pay for my classes, arranging to leave school early to be able to take up to two classes a day and attending intensive summer programs with the help of scholarships from my high school. At sixteen, I auditioned for the Royal Ballet School, but I did not make it.
At the same time, I always enjoyed writing and composing poems. In 9th grade, I entered a poetry competition created by the National Library of Poetry. As a result, my poem was published in a book entitled "Skyfall of Diamonds" that is currently located in the Library of Congress.
Currently, I am a junior at Valhalla High School in Valhalla, Westchester County. This past year, I have made the decision not to pursue ballet as a career, but to concentrate more on college and prepare myself for this new life that most of my peers have always considered, as opposed to me. It was a difficult decision, but, from experience and other reasons, I realized that with my physical attributes, the odds of me becoming a soloist or a principal with such a company as the Royal Ballet is unlikely. I told myself that I would either achieve my goal or not pursue dance professionally. Because I proved to myself that I could not get to that goal, I decided to explore my other ambitions.
One of my aspirations is and always was, to travel and explore the world and its people. I think that if I had remained attempting to be a professional dancer, I would not get to the high level of being in a world-class company and I would be limited in how I could explore the world. Thus, I do not regret the decision I made. I was fortunate enough to travel to England, Spain, Sweden, the Virgin Islands, as well as most of the east coast of Canada. To broaden my views towards future possibilities in the international career field and to come in contact with people from all over the world, I volunteered at the United Nations. I hope to pursue a profession in international studies or business.
This coming year I am secretary of the Valhalla International Fund (an organization that allows students to travel abroad) and I enjoy participating on the volleyball team, writing for the school newspaper and performing on the piano.
Although, I am dancing now as a hobby (from Maralyn Miles and Yehuda Maor), I am glad to have the opportunity to combine my love towards dance with writing for this website.
Awards include: Dance Magazine Award for Lifetime Achievement and Astaire Award for Best Dancing on Broadway.
Television appearances: Live with Regis and Kathi Lee, The Kennedy Center Honors (1992 for Ginger Rogers), A Tribute to Fred Astaire.
"The essence of ballroom dancing is fantasy and these two offer whole worlds in a swoon, a spin and a backbend. Their spectacular lifts are seamless. If Grand Hotel can be distilled into a single image, surely it is Marceau and Dulaine - gorgeous and perpetually dancing."------NEWSWEEK
Rodolfo A. Windhausen has participated in the tango scene for more than forty years. Born in Argentina to a family that loved tango, he was also a jazz and arts critic for Argentine newspapers before moving to the US in 1978. His father, while in Germany in 1930, arranged the premiere of Enrique Santos Discépolo's famous tango, "Yira Yira," first performed in Berlin by Juan Llosas' Orchestra. Rodolfo is a journalist by trade, and writes for El Once Tango News of London, ReporTango, NY, El Tangauta, Buenos Aires, as well as for United Press International (UPI) and several Latin American publications. Rodolfo, who is also a connoiseur of Cuban music, has translated tango CD liner notes for Milan Entertainment, has interviewed many famous tango performers and musicians. He has translated opera CDs and writes regularly for andante, a classical music website of New York-London-Paris. (You can read his other articles at http://www.andante.com)
Roberta, a native Bostonian and former School Administrator, is currently a Consultant in Education, the Arts, and Financial Development. She's also an active alumna of Skidmore, Bank Street College, and Columbia, where she received an Ed.D. in Curriculum. Roberta is also an alternate to the Executive Board of a West Side Political Club. Roberta dances, on an advanced level, Salsa, Argentine Tango, Swing, and to some degree, most Ballroom Dances. She has been a DanceSport Studio student for the past five years and studies Argentine Tango privately with Carlos DeChey. She also has taken private Tango lessons with Pablo Veron and private Samba with Charles Porto. She enjoys the Tango Milongas at Reba and Trey's SPICE, Danel and Maria's Bailemos Tango (for whom she is Contributing Editor and Photographer for Tango Times), Carlos and Pamela's El Recodo, DanceSport's Salsa parties, Midsummer Night Swing, and is often seen at La Belle Epoque and La Nacional. Roberta dedicates all her articles to her fantastic and lovable dance partners.
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